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A multimedia performance series in collaboration with choreographer Octavio Campos and visual artist Michelle Weinberg.  IPO examines how the intuitive, fluid nature of artmaking is both disrupted and energized by the insertion of banal economic facts.  Through the use of interdisciplinary media, IPO provides an experimental forum in time and space on the status of the artistic process and product today, advancing a coherent theory of art economics by adhering to a corporate structure.